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Unaware of her addiction, Jim asks her on a date. Her neighbors called the police, after she argued with her estranged father, children's game show host Jimmy Gator, and then blasted music while snorting cocaine. Jim goes to the apartment of Claudia Wilson. Dixon, a neighborhood boy, tries to tell him who committed the murder. Police officer Jim Kurring investigates a disturbance at a woman's apartment, finding a body in a closet. The film also won the Golden Bear at the Berlin International Film Festival. Of the ensemble cast, Cruise was nominated for Best Supporting Actor at the 72nd Academy Awards, and won the award in that category at the Golden Globes of 2000. Magnolia received positive reviews, with critics praising its acting (particularly Cruise), direction, screenplay, and storytelling, as well as its soundtrack, largely consisting of Aimee Mann songs however, some deemed it overlong and melodramatic. The film has a mosaic of interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley. Reilly, Jason Robards (in his final film role) and Melora Walters. Macy, Alfred Molina, Julianne Moore, Michael Murphy, John C. It stars an ensemble cast, including Jeremy Blackman, Tom Cruise, Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, Ricky Jay, William H. Album DescriptionMagnolia is a 1999 American epic psychological drama film written, directed and co-produced by Paul Thomas Anderson.
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It's a testament to Mann's strengths as a songwriter and pop craftsman that during those first nine songs, it's hard to think of Magnolia as anything other than a Mann album, and her best one to date, at that. They don't sound out of place, but rather act as a reminder that Magnolia is not a proper Mann album, but a soundtrack. Essentially, the two Supertramp songs ("Goodbye Stranger," "Logical Song"), Gabrielle's "Dreams," and Jon Brion's theme for the film act as a bonus EP after Mann's mini-LP. It's easy to get lost in her music, which is why it comes as a bit of surprise to hear a gameshow bell ring at the conclusion of "Save Me," cleanly dividing Mann's songscore from the oldies that are also used in the film. Sonically, they're of a piece - even her cover of Nilsson's "One" fits perfectly - but there's a lot of variety here, from the bouncy, irresistible "Momentum" to the gorgeously melancholic "Deathly." Mann has shined before, but never quite so consistently. Of course, it helps that Mann is at a peak in her craft, creating songs that are not only beautifully melodic, but musically and lyrically rich. 2, the way they flow and play off of each other makes Magnolia feel like a unique, individual work. They feel like a miniature album, and while some of these tracks are on Bachelor No. True, some of the songs are a few years old, but this is their first release, and each of her nine songs for the film seamlessly fit together, achieving a perfect blend of musical and lyrical tone. Buy the album Starting at 16,99€įor Aimee Mann, the soundtrack to Paul Thomas Anderson's Magnolia was her first opportunity to release new material since 1995's I'm With Stupid.
MAGNOLIA SOUNDTRACK AIMEE MANN 1999 REPRISE DOWNLOAD
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